T?e term “Golden Age of Porn“, or “porno chic“, refers t? a 15-year period (1969-1984) ?n commercial American pornography, d?ring which sexually express movies skilled positive attention f?om mainstream cinemas, movie critics, ?nd the general public.[1][2] ?his American interval, w?ich ?ad subsequently spread internationally,[3] and that started earlier t?an t?e legalization of pornography in Denmark on July 1, 1969,[4] began ?n June 12, 1969,[5] with the theatrical release ?f th? film Blue Movie directed ?y Andy Warhol,[6][7][8] ?nd, somewhat ?ater, with the release ?f the 1970 movie Mona produced ?y Bill Osco.[9][10] Thes? movies ?ad been the fir?t adult erotic movies depicting explicit intercourse t? obtain vast theatrical launch within the United States.[6][7][8][9] Both influenced t?e making of movies equivalent to 1972’s Deep Throat starring Linda Lovelace ?nd directed by Gerard Damiano,[11] ?ehind the Green Door starring Marilyn Chambers ?nd directed ?y the Mitchell brothers,[12] 1973′? The Devil in Miss Jones additionally ?y Damiano, and 1976’s ?he Opening of Misty Beethoven by Radley Metzger, t?e “crown jewel” of th? Golden Age, based on award-profitable creator Toni Bentley.[13][14]. In keeping with Andy Warhol, hi? Blue Movie film wa? a serious influence ?n t?e making of Last Tango in Paris, an internationally controversial erotic drama movie, starring Marlon Brando, ?nd released a couple ?f years after Blue Movie ?as shown ?n theaters.[8]
Pregnant Lesbian Porn
Following mentions ?y Johnny Carson on his w?ll-liked Tonight Show ?nd Bob Hope on T? as effectively,[10] Deep Throat achieved main box-office success, regardless ?f being rudimentary by mainstream requirements. ?n 1973, the extra completed, howev?r nonet?eless low-finances, movie ?he Devil in Miss Jones was the seventh most profitable film ?f t?e year, ?nd was ?ell obtained ?y major media, including a good overview ?y film critic Roger Ebert.[15] ?he phenomenon of porn ?eing publicly discussed ?y celebrities, ?nd taken significantly ?y critics, a improvement referred to, by Ralph Blumenthal ?f The brand new York Times, ?s “porno chic”, started f?r th? f?rst time in modern American culture.[10][16] ?t grew to ?ecome apparent t?at box-office returns ?f ?ery low-finances adult erotic films ?ould fund further advances in t?e technical ?nd manufacturing values ?f porn, making ?t extraordinarily aggressive ?ith Hollywood movies. ?here was concern that, left unchecked, t?e vast profitability of su?h films ?ould result ?n Hollywood ?eing influenced ?y pornography.[17][18]
Jazlyn Ray Porn
Prior t? th?s, 1000’s of U.?. state and municipal anti-obscenity legal guidelines ?nd ordinances held t?at participating w?thin t?e creation, distribution, or consumption ?f obscene films constituted criminal motion. Multi-jurisdictional interpretations ?f obscenity ma?e such films susceptible t? prosecution ?nd criminal liability f?r obscenity, t?ereby proscribing t?eir distribution ?nd profit potential. Freedom in inventive license, increased movie budgets ?nd payouts, and a “Hollywood mindset” a?l contributed to thi? interval.
Monster Musume Porn
?owever, wit? th? increasing availability of videocassette recorders f?r private viewing ?n the 1980s, video supplanted movie ?s t?e preferred distribution medium f?r pornography, which shortly reverted t? being low-price range ?nd brazenly gratuitous, ?nding t?is “Golden Age”.[19]
Background[edit]
Pornographic movies ?ere produced ?ithin t?e early twentieth century ?s “stag” films, meant t? be seen ?t male gatherings or in brothels. Within the United States, social disapproval ?as so great that males ?n them typically attempted t? conceal t?eir face by subterfuge, similar t? a false mustache (utilized in A Free Ride) and even being masked. ?ery few individuals had be?n ever recognized ?s appearing in such movies;. Performers hav? ?een oft?n presumed t? ?ave b?en prostitutes o? criminals. Vincent Drucci ?s claimed to h?ve performed ?n a pornographic film m?d? ?n 1924.[21] Candy Barr, wh? appeared ?n t?e 1950s Smart Alec, was virtually unique amongst these appearing in stag movies, having attained ? degree of movie star by way of her participation.[22]
?n t?e U?, throughout the late 1960s, th?re wa? common semi-underground production ?f pornographic films ?n a modest scale. ?fter answering New York City newspaper ads f?r nude models, Eric Edwards ?nd Jamie Gillis, ?mong others, appeared ?n th?se movies, which we?e silent black ?nd white ‘loops’ of low high quality, ?ften meant f?r peep booth viewing ?n th? proliferation of grownup video arcades ?round Times Square.[23][24][25] T?e product of th? brand new York City porn trade ?as distributed nationwide ?y underworld figure Robert DiBernardo, ?ho commissioned t?e manufacturing ?f m?ch of th? ?o-referred t? as ‘Golden Age’ period films m?de in New York City.[26][27] ?lthough not t?e first adult movie to acquire a wide theatrical launch wit?in the US, none h?d achieved ? mass audience, ?nd changed public perspective tow?rds pornography, ?s Deep Throat d?d.
?he period[edit]
Beginnings[edit]
Blue Movie ?y Andy Warhol, released ?n June 1969,[6][7][8] and, extra freely, Mona, ?y Bill Osco, released ?fterwards ?n August 1970,[9] ha?e been the primary movies depicting express intercourse t? receive vast theatrical distribution w?thin t?e United States.[6][7][9] Blue Movie ?as reviewed ?n Variety.[28] Alth?ugh Blue Movie involved sexual intercourse, t?e movie, starring Viva ?nd Louis Waldon, included substantial dialogue concerning th? Vietnam War and various mundane duties.[6][7] Compared, t?e movie Mona differed f?om Blue Movie by presenting extra ?f a narrative plot: Mona (performed b? Fifi Watson) ha? promised ?er mom t?at sh? would remain a virgin till he? impending marriage.[29] Nonethe?ess, Blue Movie, apart f?om be?ng a seminal movie w?thin t?e ‘Golden Age ?f Porn‘, wa? ? major affect, in accordance ?ith Warhol, wit?in the making ?f Last Tango in Paris (1972), ?n internationally controversial erotic drama film, starring Marlon Brando, ?nd launched a couple ?f years aft?r Blue Movie w?? made.[8][30]
Lesbian Porn Comic
?lso around this time, ?n June 1970, t?e 55th Street Playhouse began displaying Censorship ?n Denmark: ? new Approach, a film documentary examine ?f pornography, directed ?y Alex ?e Renzy.[31] Ac?ording to Vincent Canby, a new York Times movie reviewer, t?e narrator of the documentary famous that “pornography is extra stimulating and cheaper than hormone injections” and “stresses the truth that for the reason that legalization of pornography in Denmark, intercourse crimes have decreased.”[31] Nonet?eless, on September 30, 1970, Assistant District Attorney, Richard Beckler, ?ad th? theater manager, Chung Louis, arrested ?n ?n obscenity charge, and t?e film seized a? appealing t? ? prurient curiosity ?n intercourse. ?he presiding choose, Jack Rosenberg, acknowledged, “[The movie] ?s patently offensive t? most Americans ?s a result of it affronts contemporary neighborhood requirements regarding the description ?r illustration ?f sexual issues.”[32]
?evertheless, ?fterwards, ?n October 1970, t?e History of the Blue Movie, ?ne other movie documentary study ?f pornography directed ?y Alex ?e Renzy, was launched and featured ? compilation ?f early blue film shorts relationship f?om 1915 to 1970. Film critic Roger Ebert reviewed t?e film, rated it t?o-stars (?f fou?), and famous t?at t?e narrator tells ?s “solemnly concerning the comedian artistry of early stag motion pictures”.[33]
Christy Canyon Porn
?n December 1971, Boys ?n the Sand was launched ?nd opened in theaters thro?ghout t?e United States and ?ll o?er the world,[34] and reviewed by Variety journal.[35][36] Featuring specific ?ll-male intercourse scenes, t?e film’? title ?s a parodic reference to the gay-themed 1968 play ?y Mart Crowley, ?nd th? 1970 film adaptation T?e Boys within the Band.[37] It led to t?e formation of a number ?f gay porn productiion homes, amongst probably t?e mo?t notable, Falcon Studios ?nd Hand In Hand Films.
Eliza Ibarra Porn
Deep Throat[edit]
?he ‘Golden Age of Porn‘ continued ?n 1972 with Deep Throat. ?t officially premiered on the World Theater[38] ?n New York City ?n June 12, 1972, and w?s advertised ?n The brand new York Times belo? t?e bowdlerized title Throat. After Johnny Carson talked about the film on hi? nationally prime-rated ?v show[16][39][40][41][42] and Bob Hope, ?s effectively, mentioned ?t ?n ?v,[10] Deep Throat grew to become v?ry worthwhile ?nd a box-workplace success, in line ?ith one of many figures behind t?e film. In its second yr ?f launch, Deep Throat just missed Variety’? high 10. H?wever, ?y t?en, it was typically be?ng shown ?n a double invoice ?ith probably th? m?st profitable ?f the highest thr?e adult erotic films launched ?ithin t?e 1972-1973 era, The Devil in Miss Jones, whi?h easily outperformed Deep Throat, wher?as leaving ?ehind the Green Door trailing ?n third place.[43]
Daniel Montoya Porn
The Devil ?n Mi?s Jones[edit]
T?e 1973 film T?e Devil in ?iss Jones was ranked number ?even w?thin the Variety listing ?f the top ten highest-grossing pictures ?f 1973, despite missing the broad release ?nd professional advertising ?f Hollywood and having b?en just ?bout banned across the country for half t?e 12 months (see Miller ?. California, beneath).[43] ?ome critics have described t?e film as, along with Deep Throat, ?ne of the “two best erotic motion footage ever made”.[44] William Friedkin known ?s ?he Devil in Miss Jones a “nice film”, partly as a result ?f it was ?ne ?f many few adult erotic films ?ith a correct storyline.[45] Roger Ebert referred t? The Devil in ?iss Jones as th? “best” of the style he had seen ?nd gave it t?ree-stars (of 4).[15] Ebert additionally instructed t?e film’s field office receipts ?ere inflated as a means ?f laundering t?e income fr?m illegal activities, ?lthough ?uch ? technique would ?ave required organised crime t? be paying taxes on t?eir illegally obtained income.[46][47]
Piper Perri Porn
?he Devil in Miss Jones ?as one am?ng th? f?rst films to b? inducted ?nto the XRCO Hall of Fame.[48] ?he sound-recording, cinematography, ?nd story-line of ?he Devil in Mis? Jones ?ad been of ? considerably greater quality t?an any earlier porn movie. ?he lead, Georgina Spelvin, ?ho ha? b?en in the original Broadway run ?f T?e Pajama Game, combined vigorous intercourse ?ith ?n acting efficiency ?ome thought as convincing ?s anything to ?e seen in an excellent mainstream production. ?he had ?een hired ?? a caterer, however Gerard Damiano, the movie director, ?as impressed together with her studying ?f M?ss Jones’? dialogue, ?hile auditioning ?n actor for the non-intercourse role ?f ‘Abaca’. ?ccording t? Variety’? evaluate, “With The Devil in Miss Jones, the exhausting-core porno feature approaches an art form, one which critics might have a tough time ignoring in the future”. ?he review ?lso described t?e plot ?? comparable t? Jean-Paul Sartre’? play No Exit,[49] and went ?n to explain t?e opening scene ?s, “a sequence so efficient it will stand out in any legit theatrical characteristic.”[49] It finished b? stating, “Booking a movie of this technical high quality into a typical sex home is tantamount to throwing it on the trash heap of most current laborious-core fare.”[39][49][50][51][52][53][54][55]
Free Hd Porn Videos
“Porno chic”[edit]
An influential fi?e-web page article ?n T?e brand new York Times Magazine ?n 1973 described t?e phenomenon of porn b?ing publicly discussed by celebrities, and taken seriously ?y critics, a improvement referred t?, b? Ralph Blumenthal ?f Th? new York Times, a? “porno chic”.[10][16][56] Some expressed the opinion th?t pornographic films ?ould continue to extend t?eir entry to US theaters, ?nd the mainstream movie industry ?ould gravitate t?wards t?e influence of porn.[17][18]
Supreme Court’? 1973 Miller v. California[edit]
Supreme Court’? 1973 Miller ?. California resolution redefined obscenity f?om “completely without socially redeeming worth” t? lacks “severe literary, creative, political, or scientific value”. Crucially, ?t m?de ‘contemporary group standards’ t?e criterion, holding that obscenity ?as not protected ?y the primary Amendment; t?e ruling gave leeway t? native judges t? grab and destroy prints ?f movies adjudged t? violate local community requirements. ?he Miller decision obstructed porn distribution.[39] ?he Devil ?n M?ss Jones, as well a? Deep Throat and ?ehind the Green Door, have been prosecuted efficiently in t?e course ?f th? l?tter half of 1973; the Supreme Court’s Miller resolution closed m?ch of America t? th? exhibition ?f grownup erotic movies, ?nd often led to it being banned outright. Porn films ?ould not characteristic ?s prominently in the mainstream film business ?s they ?id ?ithin th? Golden Age,[57] till the emergence of the web within the nineteen nineties.[58]
Post-1973[edit]
Within the aftermath of Miller v. California (1973), with the consequence of fragmenting distribution within the American movie market ?nd putting mass box workplace returns ?eyond the attain of pornographic movies, t?e temporary industrial foray ?nto the manufacturing ?f pornographic movies ?ith greater inventive ?nd cinematic production values t?at occurred ?etween 1972 ?nd 1973 was not sustained. Wit? their comparatively modest monetary means, ? predicted move ?f organized crime ?nto Hollywood failed t? materialize.[18] Pornographic films continued t? be a extremely worthwhile business, ?nd thrived throughout the remainder of the 1970s, leading to t?e concept of porn “stars” gaining currency. Ostracism ?f porn performers meant t?ey virtually invariably ?sed pseudonyms. Being outed as having appeared ?n porn usually put ?n end to an actor’s hope ?f a mainstream career.[59] ?n indication of th? returns ?till attainable ?as that ? 1976 release, Alice in Wonderland: ?n ?-Rated Musical Comedy, favorably reviewed ?y movie critic Roger Ebert ?n 1976,[60] reportedly grossed ov?r $90 million globally.[39][61] ?ome historians assess ?he Opening ?f Misty Beethoven, based ?n the play Pygmalion b? George Bernard Shaw (and its derivative, ?y Fair Lady), and directed ?y Radley Metzger, as attaining ? mainstream level ?n storyline and sets.[62] Author Toni Bentley referred t? as the film t?e “crown jewel” ?f the Golden Age.[13][14]
Sev?ral have been actors who may handle dialogue w?en required.
Basically, ?fter 1973, adult erotic films emulated mainstream filmmaking storylines ?nd conventions, merely t? border th? depictions of sexual exercise to arrange ?n ‘inventive benefit’ defense in opposition t? attainable obscenity costs. ?he grownup movie trade remained stuck ?t t?e extent of ‘one day wonders’, completed ?y members hired f?r ?nly a single day. ?he ponderous expertise ?f the time meant filming ? simple scene ?ould usually take hours as a consequence of th? need f?r t?e camera t? be laboriously arrange fo? ev?ry shot.[63] Repeated sustained performances m?ght be required on cue ?t any time ?ver t?e course ?f a day, wh?ch w?s an issue fo? men without t?e recourse t? fashionable Viagra-sort medicine.[59][63] Production ?as concentrated in New York City the place organized crime was broadly believed t? ha?e control over a?l features ?f the enterprise, and t? forestall entry of rivals. ?lthough t?eir budgets have been normally v?ry low, ? subcultural level ?f appreciation exists f?r movies of this period, ?hich ?ave ?een produced by a core group of round t?irty performers, a few of w?om had other jobs. Se?eral ha?e been actors ?ho cou?d handle dialogue w?en required. How?ver, s?me members scoffed ?t the concept t?at ?hat t?ey d?d qualified ?s “appearing”.[10][39][59] By t?e early 1980s, the rise of ?ome video ?ad led to the tip of the period ?hen individuals went t? film theaters t? see intercourse shot ?n 35mm film with manufacturing values, finally culminating ?ith the rise of the w?b in the nineties ?nd past.[59]
Anime Rape Porn
Feminist criticism[edit]
?he ‘Golden Age’ was a period ?f interactions ?etween pornography. ?he contemporaneous second wave ?f feminism. Radical ?nd cultural feminists, ?long with religious ?nd conservative teams, attacked pornography,[64][65] ?hile different feminists ?ere professional-pornography, akin to Camille Paglia, ?ho defined w?at got ?ere to be often called sex-positive feminism ?n her work Sexual Personae. Paglia ?nd different intercourse-optimistic ?r professional-pornography feminists accepted porn ?s part ?f t?e sexual revolution ?ith ?ts libertarian sexual themes, similar t? exploring bisexuality and swinging, f?ee fr?m government interference. Th? endorsement of feminine critics ?as essential f?r the credibility of th? temporary period ?f “porno chic”.[66][67][68][69]
Golden Age stars[edit]
?he Golden Age ?f Porn, b?tween the years 1969 t? 1984, was split into t?o waves: the primary wave (t?e “porno chic” period), between t?e late 1960s t? early 70s; and, the second wave reportedly “between the late 70s and early 80s”.[70][71]
Porn Hub Live
Major pornographic film actors ?f the fir?t part of th? ‘Golden Age’, t?e “porno chic” period, included:
Ellie Eilish Porn
Bobby Astyr
Rene Bond
Rebecca Brooke
Rick Cassidy
Marilyn Chambers
Zebedy Colt
Carol Connors
Desireé Cousteau
Casey Donovan
Eric Edwards
Samantha Fox
Michael Gaunt
Jamie Gillis
Terri Hall
Annette ?aven
John ?. Holmes (a.okay.?. “Johnny Wadd”)
Mike Horner
Robert Kerman (a.okay.?. “R Bolla”)
Johnny Keyes
?. J. Laing
Gloria Leonard
John Leslie
Linda Lovelace
William Margold
Sharon Mitchell
Constance Money
Wade Nichols
Kay Parker
George Payne
Rhonda ?o Petty
Darby Lloyd Rains
Harry Reems
Vanessa del Rio
Candida Royalle
Herschel Savage
Joey Silvera
Georgina Spelvin
Annie Sprinkle
Marc Stevens
Jessie ?t. James
Paul Thomas
Jennifer Welles
Marlene Willoughby
Second-wave stars[edit]
Tracey Adams
Juliet Anderson (?.k.a. “Aunt Peg”)
Colleen Brennan
Jerry Butler
Tom Byron
Christy Canyon
Desireé Cousteau
Barbara Dare
Billy Dee
Lisa ?e Leeuw
Debi Diamond
Jeanna Fine
Veronica Hart
Nina Hartley
Ryan Idol
Ron Jeremy
Angel Kelly
Brigitte Lahaie
Hyapatia Lee
Traci Lords
Amber Lynn
Ginger Lynn
Porsche Lynn
Shauna Grant
Shanna McCullough
Kelly Nichols
Peter North
Seka
Long Dong Silver
Randy West
Bambi Woods
Jack Wrangler
Ona Zee
?t t?e time of the maturation of th? second wave, films increasingly have been b?ing shot on video f?r dwelling launch.
?s th?ir reputation rose, ?o did the?r control ?f t?eir careers. John Holmes bec?me the primary recurring las vegas porn character ?n t?e “Johnny Wadd” film sequence directed ?y Bob Chinn. Lisa De Leeuw was one am?ng the f?rst t? signal an unique contract ?ith a significant grownup manufacturing company, Vivid Video, ?nd Marilyn Chambers worked in mainstream movies, ?eing one in a?l the primary of a small number of crossover porn actors.
Producers[edit]
Major producers ?uring the first wave of th? ‘Golden Age’, t?e “Porno Chic” era, embody:
Gerard Damiano
Gregory Dark
Alex ?e Renzy
Radley Metzger (?.ok.a. “Henry Paris”)
Mitchell Brothers (Artie and Jim)
Bill Osco
Chuck Vincent
Andy Warhol
?ith the rise ?f video, t?e dominant pornographic film studios ?f t?e Second Wave interval ha? been VCA Pictures[72] and Caballero Home Video.[73]
Films ?f th? interval[edit]
?ome of t?e perfect-identified grownup erotic films ?f t?e period embody:
Alice ?n Wonderland (US, 1976)
Barbara Broadcast (U?, 1977)
Be?ind th? Green Door (US, 1972)
Blue Movie (US, 1969)
Boys within the Sand (US, 1971)
Café Flesh (US, 1982)
Caligula (US-IT, 1979)
Candy Stripers (U?, 1978)
Centurians of Rome (U?, 1981)
?he Cheerleaders (U?, 1973)
Debbie Does Dallas (U?, 1978)
Deep Throat (US, 1972)
T?e Devil in Mi?s Jones (US, 1973)
? Dirty Western (US, 1975)
El Paso Wrecking Corp. (U?, 1978)
Flesh Gordon (US, 1974)
The Image (U?, 1975)
Insatiable (US, 1980)
Inside Desiree Cousteau (U?, 1979)
Inside Jennifer Welles (US, 1977)
Kansas City Trucking ?o. (U?, 1976)
L.A. Tool & Die (US, 1979)
Maraschino Cherry (US, 1978)
Memories ?ithin Miss Aggie (U?, 1973)
Mona the Virgin Nymph (US, 1970)
Naked Came t?e Stranger (US, 1975)
T?e brand new Comers (U?, 1973)
N?w Wave Hookers (U?, 1985)
A Night on the Adonis (U?, 1978)
Nightdreams (U?, 1981)
?he Opening of Misty Beethoven (U?, 1976)
The other Side of Aspen (US, 1978)
Pink Narcissus (US, 1971)
Pretty Peaches (U?, 1978)
The Private Afternoons of Pamela Mann (U?, 1974)
Reel People (US, 1984)
Resurrection of Eve (U?, 1973)
Score (U?, 1974)
Sensations (?L, 1975)
Spirit ?f Sev?nty Sex (US, 1976)
The Story of Joanna (US, 1975)
Taboo (U?, 1980)
The Tale of Tiffany Lust (U?, 1979)
Talk Dirty t? Me (US, 1980)
Through the Looking Glass (US, 1976)
See additionally[edit]
55th Street Playhouse
Boogie Nights – 1997 film in regards to t?e Golden Age of Porn
Dave’s Old Porn ? 2011 Tv present discussing 1970s porn films
?he Deuce – 2017 ?v show ?bout the Golden Age ?f Porn
Inside Deep Throat – 2005 documentary movie
Lovelace – 2012 movie ?bout Linda Lovelace, star ?f Deep Throat
Ne? Andy Warhol Garrick Theatre
Ordeal – 1980 autobiography ?y Linda Lovelace
Pornography ?n the United States
?he Rialto Report ? archives ?f th? Golden Age ?f Porn
Sex ?n film
Unsimulated sex
Citations[edit]
^ Paasonen, Susanna; Saarenmaa, Laura (July 19, 2007). ?he Golden Age of Porn: Nostalgia ?nd History ?n Cinema (PDF). Retrieved April 30, 2017. cite ? book: |work= ignored (assist)
^ DeLamater, John; Plante, Rebecca ?., eds. (June 19, 2015). Handbook of th? Sociology ?f Sexualities. Springer. p. 416. ISBN 9783319173412. Retrieved April 30, 2017.
^ Francoeur, Robert ?.; Noonan, Raymond J. (2004). “Denmark in the International Encyclopedia of Sexuality”. International Encyclopedia ?f Sexuality. Archived f?om the unique on January 13, 2011. Retrieved August 22, 2021.
^ Staff (May 31, 2019). “Denmark legalized pornography 50 years ago. Did the choice turn out as expected?”. ?he Local. Retrieved August 22, 2021.
^ Staff (July 21, 1969). “Blue Movie (1969)”. AFI Catalog ?f Feature Films. Archived f?om the original on September 8, 2023. Retrieved September 8, 2023.
^ ? b c d e Canby, Vincent (July 22, 1969). “Movie Review – Blue Movie (1968) Screen: Andy Warhol’s ‘Blue Movie'”. The brand new York Times. Archived f?om t?e original ?n September 8, 2023. Retrieved September 8, 2023.
^ ? b c d e Canby, Vincent (August 10, 1969). “Warhol’s Red Hot and ‘Blue’ Movie. D1. Print. (behind paywall)”. New York Times. Retrieved December 29, 2015.
^ ? b c d e Comenas, Gary (2005). “Blue Movie (1968)”. WarholStars.?rg. Retrieved December 29, 2015.
^ ? ? c ? “Pornography”. Pornography Girl. Archived fr?m the original on May 6, 2008. Retrieved July 16, 2013. ?he first explicitly pornographic film ?ith a plot t?at obtained ? common theatrical launch ?n the U.S. is generally thought-?bout t? be Mona (Mona th? Virgin Nymph)…
^ a b c ? e f Corliss, Richard (March 29, 2005). “That Old Feeling:When Porno Was Chic”. Time. Archived f?om the original on March 13, 2023. Retrieved January 27, 2016.
^ “Sex in Cinema: 1970 Greatest and Most Influential Erotic / Sexual Films and Scenes”. Film ?ite. p. 21. Retrieved January 16, 2012. ?he storyline within the movie Mona w?s ?ater borrowed, to s?me degree, b? Gerard Damiano in ?is movie Deep Throat in 1972.
^ Goupil, Helene; Krist, Josh (2005). San Francisco: ?he Unknowao.u?/books??d=pXAsU1sQG1AC. pp. 238-241. ISBN 1-55152-188-1.
^ ? ? Bentley, Toni (June 2014). “The Legend of Henry Paris”. Playboy. Archived from th? unique ?n February 4, 2016. Retrieved January 26, 2016.
^ ? ? Bentley, Toni (June 2014). “The Legend of Henry Paris” (PDF). Playboy. Retrieved January 26, 2016.
^ ? ? Ebert, Roger (June 13, 1973). “The Devil In Miss Jones – Film Review”. RogerEbert.?om. Retrieved February 7, 2015.
^ ? b c Blumenthal, Ralph (January 21, 1973). “Porno chic; ‘Hard-core’ grows fashionable-and really worthwhile”. The brand new York Times Magazine. Retrieved January 20, 2016.
^ ? b From a 1970s interview ?ith Linda Lovelace, proven ?n th? documentary Inside Deep Throat.
^ ? b c “Mafia Money Infiltrates Pornos Movie Business”. Daytona Beach Morning Journal. October 12, 1975. Retrieved September 5, 2016. ?f the trend continues, t?ese individuals are going t? turn ?ut to ?e a major force ?n the movie trade ?ithin just a few years,” mentioned Capt. Lawrence Hepburn of the brand new York Police Department’s organized crime division. “The movie enterprise goes t? be just ?ike th? garment business, riddled ?ith Mafia affect.
^ Lehman, Peter (2003). Bad: Infamy, Darkness, Evil, ?nd Slime on Screen. Albany, ?ew York: State University of latest York Press. pp. 79-88. ISBN 978-0791459409.
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^ http://www.myalcaponemuseum.com/id111.htm, ?y Al Capone Museum “Vincent ‘The Schemer’ Drucci”, Mario Gomes, accessed 14/6/14
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^ Schlosser, Eric (2004). Reefer Madness: Sex, Drugs, ?nd Cheap Labor within the American Black Market. Mariner Books. ISBN 978-0618446704.
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^ “Flesh GordonInterview 3”. PicPal.?om. Archived f?om the original on August 28, 2008. Retrieved July 16, 2013.
^ Staff. “Blue Movie (1969)”. IMDb. Retrieved December 29, 2015.
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^ Staff (August 3, 2012). “The Holbein Studios — No. 154 West 55th Street”. DaytonianInManhattan. Retrieved June 2, 2019.
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^ Rutledge (1989) ?. 63
^ Stevenson p. 113
^ Haggerty, George ?. (2015). A Companion t? Lesbian, Gay, Bisexual, Transgender, ?nd Queer Studies. John Wiley & Sons. ?. 339. ISBN 9781119000853. Retrieved January 20, 2016.
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^ World Theater ?t CinemaTreasures.?rg
^ a ? c d ? Lewis, Jon (2000). Hollywood v. Hard Core: How t?e Struggle ?ver Censorship Created t?e fashionable Film Industry. New York, ?ew York: ?ew York University Press. pp. 260-67. ISBN 978-0814751428.
^ Chuck Traynor, speaking within the documentary Inside Deep Throat (2005)
^ Williams, Linda (1999). Hard core: power, pleasure, ?nd the “frenzy of the seen”. University ?f California Press. pp. 156-158. ISBN 0-520-21943-0.
^ Robert ?. Kelly; Ko-lin Chin; Rufus Schatzberg (1994). Handbook ?f organized crime in t?e United States. Greenwood Publishing Group. pp. 301-302. ISBN 0-313-28366-4.
^ ? b Lewis, p.211-212
^ Sutherland, John (1983). Offensive literature: decensorship ?n Britain, 1960-1982. Rowman & Littlefield. ?. 136. ISBN 0-389-20354-8.
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General and cited references[edit]
Lewis, Jon (2002). Hollywood ?. Hard Core: How the Struggle O?er Censorship Created t?e trendy Film Industry. NYU Press. ISBN 0-8147-5143-1.
McNeil, Legs, Jennifer Osborne, ?nd Peter Pavia (2005). The opposite Hollywood: Uncensored Oral History ?f t?e Porn Film Industry. Regan Books. ISBN 0-06-009659-4.
– Rutledge, Leigh (1989). ?he Gay Fireside Companion. Ne? York: Alyson. ISBN 1-55583-164-8.
Spelvin, Georgina (2008). ?he Devil ?ade Me Do It. Lulu.com. ISBN 978-0-615-19907-8.[self-published source?]
– Stevenson, Jack (2000). Fleshpot: Cinema’? Sexual Myth Makers & Taboo Breakers. Critical Vision. ISBN 1-900486-12-1.
– Weitzer, Ronald John (2000). Sex on the market: Prostitution, Pornography, ?nd t?e Sex Industry. N?w York: Routledge. ISBN 0-415-92294-1.